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New Zealand’s latest cinematic success, Tinā (Tih-NAH), has taken the country by storm, surpassing $1 million in its opening weekend. The film is currently No. 1 on the box office charts, earning $1,324,529 to date with nearly 84,000 ticket sales. Tinā...

New Zealand in the 1830s is a Māori world, dominated by tribal wars. Seeking redemption from a dark past, lay preacher Thomas Munro (GUY PEARCE) is on board a trading vessel heading to the newly established town of Epworth, a British settlement at the...

Over the past year, the New Zealand Film Commission (NZFC) has undertaken a targeted programme of international engagement, ensuring New Zealand’s filmmakers and screen industry remain globally competitive. By maintaining a strong presence in key...

12 February 2025 NZ On Air and the NZ Film Commission (NZFC) acknowledge the importance of ensuring public funding delivers the best possible outcomes for audiences and the wider sector. The Ministry for Culture and Heritage has today released a...

India doesn’t just produce the most films of any country annually—it’s also one of the fastest-growing film industries, with a massive appetite for international partnerships, cutting-edge post-production, and fresh storytelling. Our Head of Co-...

Feature Film Post Production Investment helps exciting projects to get over the finishing line. What we fund Post production financing to help finish films for the big screen. This is in the form of equity investment up to $500,000. Who can apply...

Feature Film Production Investment supports our filmmaking community to make films that are loved by their intended audiences.  You can apply for a Production Investment of up to $2.5million for your film.   Full information can be...

Feature Film Development Funding enables filmmakers to take the time and care necessary to craft remarkable scripts and documentary stories. Then, as a project progresses towards shooting, the funding extends to support casting, packaging and the...

We are delighted to welcome Aimee McCammon and Jon Kroll to our Board. Their expertise and passion will undoubtedly bring valuable perspectives to our team, and we look forward to collaborating with them in the exciting work ahead. At the same time...

Siaosi resents Katherine’s presence and is resistant to her speech therapy sessions. Anxious for progress, Katherine enlists her Tongan boyfriend Maka to translate. During this exchange, Katherine unwittingly offends Siaosi, who sternly tells them...

Michael Jones (MJ) is the ridicule of his high school peers. His obsessive compulsive need to fingertap doorframes before entering and avoid cracks in the pavement make him a target for relentless bullying. Chief among his tormentors is Selena. When MJ...

Looking for the perfect way to relax, entertain the whānau, or revisit iconic Kiwi films this summer? Dive into the refreshed NZ Film OnDemand, where you can explore the best of New Zealand’s cinematic storytelling and support local filmmakers while...

We’re thrilled to announce the launch of our new podcast, Lights, Camera, Kōrero, where we bring you behind-the-scenes insights and in-depth conversations about the future of New Zealand’s screen industry.  In our debut episode, journalist and...

Tēnā tātou e te hāpori kiriata, to the filmmaking community.  Thank you! For your patience and for the energy many of you have given to help us work through some of our processes to create stronger relationships, simpler systems - and ultimately...

The New Zealand Film Commission welcomed the opportunity to provide feedback during the consultation period for Amplify: A Creative and Cultural Strategy for New Zealand. The draft strategy outlines how the government will prioritise support for our...

The New Zealand Film Commission (NZFC) is pleased to share highlights from the 2023/24 year, a period marked by significant change and progress. Detailed in the NZFC’s Annual Report, this year’s achievements position the Crown entity to introduce...