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Join New Zealand Film Commission CEO Annabelle Sheehan along with the Joint Heads of Te Puna Kairangi- Premium Fund and Ara ki Te Puna Kairangi -  Premium Development Fund, Kay Ellmers and Polly Fryer. Molly Littlejohn will once again moderate the...

Te Tumu Whakaata Taonga New Zealand Film Commission (NZFC) Chair, Dame Kerry Prendergast, announced today that CEO Annabelle Sheehan would step away from the role, after three years leading the agency, and return to Australia. Making the...

The guidelines for Ara ki Te Puna Kairangi (The Premium Development Fund) are now available. The portal will open to applications on 22 March 2021. You will find details of the fund, including guidelines and eligibility criteria here.

On Wednesday 16 December CEO Annabelle Sheehan, Head of Development and Production Leanne Saunders, Head of Marketing Jasmin McSweeney joined moderator Molly Littlejohn for a live webinar. The panel gave updates on the Screen Sector Recovery Funds...

The Black List and the New Zealand Film Commission (NZFC) are excited to announce the joint creation of a new fund and script development workshop, the Black List New Zealand Project (BLNZP). This is a one-off fund, designed to foster the creative...

Night Raiders, the Indigenous sci-fi thriller marks the feature film directorial debut from award-winning Saskatchewan-born Cree/Métis writer/director, Danis Goulet (Wakening, Barefoot), the film is a Canada / New Zealand co-production, an Indigenous...

Kia ora koutou, In light of the COVID-19 Alert Levels increase throughout New Zealand and in response to the industry, the Agencies (NZFC, NZ On Air and Te Māngai Pāho) have collectively decided to extend the Premium Productions for International...

Ka ao, ka ao, ka awatea! The three agencies collaborating to deliver the Te Puna Kairangi Premium Fund, the Premium Productions for International Audiences Fund have struck on an innovative leadership model for the Fund. Te Tumu Whakaata Taonga...

A document with answers to frequently asked questions about the Premium Productions for International Audiences Fund (Te Puna Kairangi Premium Fund).

Cornerstone will launch worldwide sales, excluding ANZ, for writers and directors James Napier Robertson and Paula Whetu Jones’ Whina (pronounced fee-nah), out of the upcoming European Film Market. Rena Owen (The Last Witch Hunter, Star Wars: Revenge of...

Six filmmaking teams have been selected for funding through the 2020 round of Fresh Shorts and will each receive a grant of $15,000 to make their short film. The selected teams and their projects are: Arrival Writer/producer: Francesca Mackenzie...

The New Zealand Film Commission sadly acknowledges the passing of filmmaker Tony Hiles. Tony’s filmmaking career began in the mid-1960s when he documented US President Lyndon B Johnson’s visit to New Zealand on film.  He followed this with work in...

The International Documentary Film Festival Amsterdam (IDFA) is considered one of the the most important documentary festivals in the world. It is also, in terms of visitors, the largest.  Who goes? The project market "Forum" is an...

The Cannes Film Festival is the world's most famous film festival.  What are the different sections? International Competition (feature and short films) Out of Competition; Un Certain Regard and Cinefondation (medium-length and short films...

He poipoi i ngā kaitātaki pūrākau kia puta ai he taonga tūturu mō Aotearoa. Champion exceptional story tellers to create enduring taonga for Aotearoa Te Rautaki Māori 2018-2021 celebrates the unique and distinctive culture of Aotearoa...

The  Premium Productions for International Audiences Fund  (Te Puna Kairangi Premium Fund) is now open for applications. Please go here for more information including guidelines and a link to the NZFC's application portal.

The New Zealand Film Commission’s Annual Report 2019-20  was tabled in Parliament on 27 January. Releasing the report NZFC Chair Kerry Prendergast said, “It has been a challenging year for the screen sector, and one that has tested and proved its...

This is the New Zealand Film Commission's Annual Report for 2019/20.

HBO Max debuted the trailer and key art today for the new Max Original documentary There is No I in Threesome.  The film begins streaming in the US ahead of Valentine’s Day on 11 February and will have its world premiere this weekend...

The New Zealand Film Commission acknowledges the passing of actor Peter Vere-Jones ONZM. In a long and varied career across six decades, Peter Vere-Jones’s career spanned theatre, film and television. Peter’s film career included the lead role in...

The New Zealand Film Commission (NZFC) joins the New Zealand film, and wider arts community in sadly acknowledging the passing of Bill Sheat, the organisation’s inaugural Chair. Bill’s 60-plus year involvement with the arts started at Wellington’s...

Join CEO Annabelle Sheehan, Head of Development and Production Leanne Saunders, Head of Marketing Jasmin McSweeney and Moderator Molly Littlejohn for a live webinar on Wednesday 16 December. The panel will update on the Screen Sector Recovery Funds...

We are pleased to announce the successful applicants for this year’s Whakawhanake Te Ao Niko - Interactive Development Fund. Whakawhanake Te Ao Niko - Interactive Development Fund supports concept development of original, narrative-focused, interactive...

Below is a transcript of the presentation the NZFC gave at the 2020 Big Screen Symposium held 4-5 December 2020. Annabelle Sheehan "Ko Annabelle Sheehan Toku ingoa. From Te Tumu Whakaata Taonga E rau rangatira o te motu Kātahi te tau poro taikaha nei...

The New Zealand Film Commission invites new and emerging filmmakers to register their interest in paid professional internships on domestic and international drama series. The definition of new and emerging can be found in the NZFC's Talent...

To mark the end of a successful and challenging year, we are sharing our international reel showcasing some of New Zealand’s fine film, TV and PDV work. Enjoy! Music: Aotearoa – Minuit, Karanga Ra - Herbs Editor: Greg Jennings...

The Minister for Arts, Culture and Heritage Hon Carmel Sepuloni launched the Premium Productions for International Audiences Fund over the weekend, making $50 million available in a unique opportunity for the screen sector to tell New Zealand’s...

Coming Home in the Dark will have its World Premiere in the Midnight section of the 2021 Sundance Film Festival. Written by Eli Kent and James Ashcroft, and produced by Mike Minogue, Catherine Fitzgerald and Desray Armstrong, Coming Home in...

E rau rangatira mā o te Ao Kiriata,  tēnā koutou katoa, He Ara (Pathway) funding is intended to support Māori and/or Pacific Island filmmakers to further create a diverse range of quality New Zealand content using their own way of working....

The New Zealand Film Commission is committed to transparency across its activities and has developed a Data Room designed to inform the industry and ensure information is readily available to anyone wishing to access it. The Data Room includes...

The resurgence of COVID-19 in Auckland this week, shifting the Auckland region to Alert Level 3 and the rest of the country to Alert Level 2 until midnight Friday 14 August, has created uncertainty for all filmmakers living and working here. We...

Head Count 2019/20 The following data has been collated to show the ethnic diversity across the pool of creatives granted NZFC development and/or production funding during the 2019/20 financial year.   Demographic data about key creatives...

The New Zealand Screen Production Grant (NZSPG) New Zealand Productions The New Zealand Screen Production Grant (NZSPG) offers grants for New Zealand productions with the purpose of building the sustainability of New Zealand’s screen...

Project Count 2019/20 The following data has been collated to show the representation of genders across projects that were granted development and/or production funding from the NZFC during the 2019/20 financial year. Figures and graphs on this...

Development and Production Financing 2019/20 In the 2019/20 financial year, the NZFC continued to support New Zealand feature film projects  through both direct and devolved funding for script development and...

Head Count 2019/20 The following analysis shows the representation of genders across the pool of creatives who have been granted development or production funding from the NZFC during the 2019/20 financial year. Capturing gender identity data is...